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1. Childish Gambino Redbone Sample Song
2. Donald Glover

Every inspiring song and sample from Childish Gambino's 'Awaken, My Love!' The album cover is similar. Redbone by Childish Gambino - discover this song's samples, covers and remixes on WhoSampled.

Childish Gambino Redbone Sample Song

There is a moment, two minutes into the slow burn of ',' the opening track of 's new album Awaken, My Love!, that operates almost as an audio assault. With no warning, meandering synths give way to a wall of distortion; tentative, breathy chants become a menacing guffaw; tempo changes become the new norm and a realization comes into focus: This is not the Childish Gambino record you were expecting. By the time 's anguished, wailing vocals recede and the backing band returns to that initial groove, it's with the addition of a reverberating snare drum, a sound that's unmistakable to anyone who has ever tried to trace the roots of funk and psychedelic soul back to and, in particular, the 1971 epic 'Maggot Brain.' 'We actually built a drum room in Donald's house just to get the exact drum sound we wanted; it took a couple weeks to build,' says producer, songwriter and multi-instrumentalist Ludwig Goransson, who co-wrote and and co-produced the entirety of Awaken, My Love! And has worked with Glover for nearly a decade.

'There are small little ingredients and notes [on the album] that are very well-thought-out, arrangement-wise, and there's a lot of ear candy in there happening. I feel like it's kind of the natural evolution of [his] sound.' What Goransson sees as a natural evolution -- one that started with Glover expanding beyond just rapping on 2013's Because the Internet, and continued with more sung vocals on 2014's Kauai -- caught most people by surprise when 'Me and Your Mama' was released as Awaken's first single in November. The song is an unmistakable nod to 's seminal psych-funk collective -- particularly Funkadelic's early 1969-1975 output, before 's party-funk horns and swirling Moogs replaced gritty guitars as the main driver of the groove -- and steers home an influence that pops up again and again all over the album. Gambino's 'Have Some Love,' for instance, is a riff on Funkadelic's 'Can You Get to That'; 'Boogieman' seems to be the end result of tossing 'Super Stupid' and 'Hit It and Quit It' into a blender; Awaken's second single, the excellent ',' recalls ' 'I'd Rather Be With You.' The only sample on the album comes on 'Riot,' which lifts the groove from Funkadelic's 'Good to Your Earhole.'

The rest was created by Glover and Goransson with a small circle of band members, largely recorded at Glover's rental home in the Hollywood Hills. 'The whole album started out with me, Donald and a couple musicians just being in the studio together for a week and basically just experimenting, Donald just kind of being open to anything,' Goransson says. 'But it was also taking a step away from computers and to have the whole recording process filled with more air and live performances. I think that opened up a lot of new doors for us.' Goransson, who was born and raised in Sweden and moved to Los Angeles in 2007, admits he wasn't the most versed in funk and psych-soul traditions before Glover introduced him to P-Funk and records. 'When I worked with Donald on [2011's] Camp, I hadn't produced much hip-hop before, so I had to kind of soak in that and do my research on that,' he says.

Donald Glover

'With this, as a musician I have a jazz and classical and blues background, but I still had to do the research on the funk part. I kind of missed out on the psychedelic funk [thing].' The musical direction, then, came straight from Glover, who explained part of the inspiration behind the album in a. “I remember listening to songs my dad would play -- albums by the or Funkadelic -- and not understanding the feeling I was feeling,” he said in November, a few weeks before Awaken! Was released.

“I remember hearing a Funkadelic scream and being like, ‘Wow, that’s sexual and it’s scary.’ Not having a name for that, though; just having a feeling. That’s what made it great.”. That callback to childhood made sense to Goransson, whose guitarist father would play blues records around him growing up, similar to Glover's experience.

'A lot of the music that Donald was trying to make was also coming from his childhood,' he says. 'And for me, it was kind of a similar feeling; I remember my dad playing blues music with such a joy and passion and happiness, so it kind of evoked a lot of music from my childhood.' With that as a starting point, Glover and Goransson went to work, beginning from scratch and experimenting both musically and vocally, with Glover pushing his voice to its limits.