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5.1 Surround Sound Music Cd

29.01.2019 

1 surround sound and stereo mixes from the original multi-track master tapes. Barclay James Harvest - Octoberon 2 x CDs + 5.1 / hi-res DVD-A (expanded.

Autocad 2013 serial key. (coming out in early November) celebrates the legendary eponymously-titled 1968 LP and it's a doozie! In this new multi-disc collection you get two CDs containing a brand new Stereo remix by producer Giles Martin and engineer Sam Okell, a CD of long sought-after demos produced by the band prior to heading into Abbey Road Studios and an additional three CDs of session outtakes. And if that weren't enough you get a high resolution Blu-ray Disc containing not only the new Stereo and the original Mono mix but also a brand new 5.1 Surround Sound mix, playable on your home theater system. Available in 96 kHz, 24-bit PCM Stereo, DTS-HD Master Audio 5.1 and Dolby True HD 5.1 options, that's a whole lotta White Album joy to explore, so lets just dive in. For this first part of our review series exploring we'll focus on the brand new first time ever 5.1 Surround Sound mix. The notion of remixing an album like The White Album into Surround Sound might not be immediately apparent as a 'necessity' (hey, none of this is exactly 'necessary' but it sure is fun!). Brighton sale handbags.

Recording much of this album on early eight-channel multi-track tape afforded The Beatles more creativity in terms of not just how many layers of instruments they could record but also the natural-ness (if you will) of the mix. Accordingly, many fans -- myself included -- preferred the old original Stereo mix over the Mono version (initially only released in the UK) because it sounded a bit more widescreen. In keeping with the process that producer Giles Martin executed so successfully with the Sgt. Pepper's Lonely Hearts Club Band remixes, this new Surround Sound incarnation of The White Album is even wider-screen still, frequently revelatory and at times even jostling (in a good way). Rather than re-explain the process the producers have to go through to make this happen, I am including a link back to my earlier review of the Sgt.

Best 5.1 surround music

Pepper remixes which goes into that sort of detail which is likely applicable to this new project (). That said, reissue Producer Giles Martin explains their overall intention with the current project in the written introduction to the hardcover book included with this new edition: 'In remixing 'The White Album' we've tried to bring you as close as possible to The Beatles in the studio. We've peeled back the layers of the 'Glass Onion' with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.' While we'll look at the new Stereo mix in in more detail later in in this review series, the new Surround Sound version we're about to explore is a fine complementary experience, informed by the original mixes while offering a fascinating new way to experience some of your best loved Beatles music. For the most part the producers wisely chose to keep the listener focused front and center in this new remix, presenting the core of the band in mostly enhanced (if you will) Stereo, judiciously using the rear channels and three dimensional space where appropriate (and, perhaps, where technically feasible!). This makes sense given the way the album was recorded.

5.1 Surround Sound Music Cd Download

Musica de banda 2018. According to the official press release for the set: 'The Beatles' approach to recording for 'The White Album' was quite different from what they had done for 'Sgt. Rather than layering individually overdubbed parts on a multi-track tape, many of the 'White Album' session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock.' Overall, the 5.1 mix is very tasteful and some tracks work better than others.

Surround

For the most part I found the mixes engaging and most importantly it sounds very much like what The White Album should sound like. I didn't sense any drastic changes to the feel of how the music was originally recorded. It seems that the producer's surround mixing creativity grew accordingly / appropriately as the music became more experimental, reaching a wild peak at 'Revolution #9.' Given that is a deep-dive (and somewhat pricey) collection, I thought that a run down of some highlights of what I have heard thus far while listening to this new Surround Sound mix might be appreciated. So -- spoiler alert -- following are some details on what you can expect in 5.1: 'Back In The USSR' features harmonies in the rear channels and hand claps which are very audible (more akin to their presence in the Mono mix).

5.1 Surround Sound Music Cd

It is interesting to hear piano coming in from the rear. Its also nice to hear the 'ahhhhhs' on the bridge section of 'Dear Prudence' moving front to rear.